Holy Water Font or Basin Made With Shell, Colonia Guell's Crypt, Barcelona, Spain

Stationary fonts like this are placed at the entrance to churches as you all know but I am sure you never saw a holy water font made with an enormous shell nor have you seen perhaps such wonderful ironwork pedicle. Nothing is common and ordinary when you enter Gaudi's crypt at Colonia Guell. The place has columns, altar, stain glass and pews as any other church but you have to be prepared to digest the degree of variation of the holy elements. A church was supposed to be on top of the crypt, as the latter was part of a bigger project which started in 1908. In 1917 one year after Gaudi's art patron and friend, Eusebi Guell, died, the work was finally stopped. As you can guess foundations are very solid. Columns are made of basaltic rock and different kinds of bricks. The ceiling is vaulted in the most traditional gothic style. Every arch, every pillar, was precisely calculated with small sacks full of pellets which were tied to the ceiling in Gaudi's workshop by means of small pieces of cloth and string making up what is known as a stereostatic model. The weight of every sack was proportional to the load every arch element had to hold. But everything here is hard to imagine without visiting Colonia Güell of course. By the way, there were some posts in Barcelona Photoblog some time ago that might help: Caprice Supreme of Architecture, Modernist Door and Mosaic, Futurist Windows and Stained Glass

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The Bat in Colonia Guell At The Secretary's House

This is a bat, a symbol that was part of Güell family's coat of arms, and on top the omnipresent pigeon, that seems to be some sort of evil partner watching me from his master's shoulder, sorry, wings. She may not harm anyone but she did cover the historic figure with all her glorious s***. The house, belonged to Colonia Guell's secretary (remember Colonia Guell was an industrial estate in Santa Coloma de Cervelló, near Barcelona). It was founded by Eusebi Güell i Bacigalupi in 1890. Güell was a wealthy man and his wife Isabel López Bru, was the daughter of Antoni López i López, first Marques of Comillas who was also a very rich man. Güell ran important textile factories in Barcelona but those were hard times for the sector. To be competitive, especially with the British industry, workers had to produce more for the same money or less. So people started to get organized and to claim for their rights and Güell decided to build a better place out of the city where workers could live around the factory and integrate themselves more in the company. He managed to do so for some time but trade unions and their claims arrived to Colonia Güell in the end.

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Mosaic in the Chamber of the 100 Columns, Park Guell, Barcelona

This is the second mosaic I show you of those you can admire on the ceiling of the Chamber of the 100 Columns at Park Guell. Please read the last post here to know more. And of course, do follow labels to compare to other works by Antoni Gaudi. I encourage you to enlarge the picture for a more detailed view of the shape of the fragments, their colors and distribution to make up the final figure.

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Ceiling Mosaic Inside The Chamber of the 100 Columns, Park Guell, Barcelona Spain

Not the first time Barcelona Photoblog visits Park Guell in Barcelona to show you the impressive work of Gaudi. We have dealt with mosaic work recently, we mentioned the trencadis technique but we needed some more examples where the degree of improvisation and nature leitmotifs were more evident. Such is the case of this ceiling mosaic inside The Chamber of the 100 Columns including not only tiles but fragments of cups and dishes among other materials to make up something that recalls a flower. Please follow labels for previous posts.

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Guell Crypt: Caprice Supreme of Architecture

A supreme caprice of architecture: the art nouveau or modernist ceiling at the entrance to the crypt in Colonia Guell by Antoni Gaudi, who had been commissioned by Eusebi Güell the prosperous catalan businessman. Robert Hughes, art critic for Time, recently said he hates Sagrada Familia but loves Colonia Guell, the place where the crypt is. Of course we can object to that if we get carried out by the grandeur of the cathedral. Besides, experts see what we cannot see, no wonder they've been studying for years, although what we understand by art is a concept of man and not a law of nature so no one has the final truth. Anyway, it was about time someone cast a shadow of doubt over stereotypes concerning our city. I suggest you read the book by Robert Hughes: Barcelona.

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